Off to Oslo in a couple days which leaves me with the impossible task of attempting to ink 7 pages of comix in less than 48 hours. Get the entire batch of 14 pages scanned and ready for [digital] lettering on my flight (and maybe a little in my eventual hotel room) so I can send this project out and be done with it before prepping my keynote presentation, which luckily isn't until day 4 of the conference (June 30).
I've been riding the 1000mph wave for a good few months now and it looks like it is bound to continue for the remainder of the summer. It'd be nice to sit under a tree and watch the birds sometime.
#journal #work #comix
I recently learned that Alaa Abd El Fattah is really into comix. Not only that but he seems to have impeccable taste in the medium. One of his all-time favorite series is 90's era THE SANDMAN for example.
He is now on day 83 of hunger strike. The internet tells me that the human body can survive without food for up to two months. This puts Alaa's health well beyond the critical zone.
Here's a recent BBC article on Alaa's situation, and here's one from The Intercept. And here's a link to his book containing much of his insightful and incredibly clairvoyant writing from prison.
He is of dual Egyptian/British citizenship and has been denied access to a consular visit.
Those interested in helping and believe they live in a democratic society can contact their representatives. Alternatively (or simultaneously) you can raise hell on social media using the hashtag #SaveAlaa
I hope he doesn't mind my less than accurate depiction of him in this shortish piece of comix I've been working on, but more importantly: I hope he gets to see it at all.
New bike arrived and have just about finished assembling and adjusting everything that needed assembling and adjusting. Very different from my older bike which was a race bike (Gitane) customized for long hauls. But realizing that I actually haven't done any long distance biking in over a decade and don't see myself doing so anytime soon, figured I might as well get me something better designed for inner city commutes.
Enter The Dutchie from Sole Bicycles out of Venice Beach, California. Many many moons ago, I spent two summers in the Netherlands, one in Rotterdam and one in Amstersdam during which I became quite fond of the Dutch bicycle. In particular, the girl's Dutch bicycle which comes without the top tube and instead allows for super seamless mounting and dismounting. Why it has to be demarked as a girl's bike I'm not entirely sure, but if you are a man and caught riding one, chances are a Dutchman is likely to point it out to you. But, this is all a digression; Dutch bikes—be they the ones designated for male or female—are the most practical city bikes I've ever been on, so I was quite pleased to see an American bike-maker have something Dutch-like on offer, complete with back-pedal breaks.
Of course, the “cool” factor will have one typically leaning towards a fixie or somesuch, but fuck cool. I'm an old man now and appreciate efficiency and anything that will promote an upright back.
Start at 8:00am, end by 9:00pm. The time in between is spent drawing pages and little else more because my lost pages have been retrieved and I am now playing catch up. And although each day ends with a couple of pages penciled in, I find myself retiring to bed feeling frustrated because I know I still have quite a few pages ahead of me and still the entire lot to ink, and I'm so terribly behind schedule.
This is for a 14-page comix-essay thing (an essay told in comix format), which I'm now wishing I would've condensed into fewer pages, because working on it means time away from THE SOLAR GRID which I am also terribly behind on.
When you're behind, you find yourself working round the clock and never being satisfied with your output because no matter what you produce, you will still be behind schedule. It's an awful anxiety-ridden situation to be in and the only remedy in my mind is to develop better assessment abilities of how much time making something will require, in addition to accounting for potential mishaps/illnesses/special-circumstances that could delay production, and design your deadlines as such. Yet, I still plan everything according to best case scenarios which is wrong.
Also, one must account for doing other things. Ideally, you shouldn't have to spend your entire day at the drawing table (or writing table/computer desk/etc.). You want your day to be a good mix of work/exercise/reading/cooking/socializing, so best plan your deadlines with the idea of having only a handful of work-hours per day and definitely take weekends off. Be very vigilant about that.
Wife and kid in Mexico City for the summer. She made plans with the idea that I might be able to work remotely, which generally speaking is true (after all, this comix essay doesn't require me to be in Houston), but I do need my setup to be able to do what I do. Things like: drafting table, scanner, and all my tools and paperboards. But my plan is to catch up with them next month in time for my son's birthday. In the meantime, I have this comix essay to finish before Oslo which I still have to prepare a presentation for.
I won't get deep into the details because I'm not big on ranting, but it is worthy to relay that the day started at 5 in the morning with plans to arrive at our final destination at 3:00pm, which actually would've been 5:00pm our time so all in all a 12-hour ordeal. But no, we only made it by midnight so more like 2:00am our time, and did so missing our checked luggage.
Because I'm not at a point where I can take a week-long trip away from work right now, I decided to bring my work with me; namely a handful of penciled comix-essay pages I've been working on for an exhibition catalogue, and those pages being 11”x17” and kept safely in a sturdy portfolio of larger size, didn't quite fit in my carry-on and so into the checked luggage they went (and I sweeear I felt something bad was destined to happen right then and there).
So yes here I am all super prepped with my special portable Da Vinci kolinsky sable brushes, my Saiboku Aya Ink Stick, my porcelain ink stone, in addition to an assortment of fountain pens acquired specifically for inking on the move, but without the pages all said tools were supposed to be used on, pages that are at least a week's worth of work onto themselves.
I stare at all these tools and silently eat all the words I might've ever said against working digitally.
Keeping my fingers crossed that lost luggage may be found and returned before the end of our trip, because otherwise I'ma have to pencil aaall those pages all over again, and there's nothing I hate more in this world than backtracking.
These two beauties landed in my mailbox at exactly the same time. Excited to sink my teeth into them.
After 12 outrageous years together, it saddens me to report that my beautiful bike has finally gone and gotten herself stolen.
Entirely my fault, I realize, for keeping her unlocked and unattended for a handful of minutes JUST OUTSIDE MY FRONT DOOR!
I am sorry, oh beautiful resilient one. You will be missed terribly.
I may have started the month with this:
I hate myself.
AND FINISHED! Almost.
Notice how it is blank next to where it says “C (digital)”. That is the cover for the digital edition, which I approach differently to print editions for good reason.
Where I added “BM” slots at the very bottom? That's “Backmatter” which I realized I hadn't made much space for on my chart. I have it indicated as 3 pages there, but they actually ran to 9! All finished though. So yeah, this chapter runs quite long. I don't imagine the next three will need to run as long. 🤞
Saw Gaiman speak last night, part of a book tour apparently. Not sure I know of any other author who can fill a sizable auditorium with a paying audience for what is ostensibly a book promotion event. To Gaiman's credit though, he didn't read exclusively from his book, but read other stuff as well; a couple never published poems. He also includes little anecdotes and life stories between each reading. The entire event was 2 hours, Gaiman standing, never sitting, and never even moving around the stage. To be stationary for two solid hours, and do nothing but talk at a dimly lit crowd of some, I dunno, 2500 people and manage to be captivating, insightful, charming, and also damn funny the entire time is an immensely admirable feat. Again, I can't think of a single other author capable of pulling it off.
He even read a Batman poem.
A Batman poem.
#journal #work #Comix #TheSolarGrid
One of the first entries in my new notebook because I have a terrible book problem and very inadequate space to accommodate it, yet here I am eyeing a 700+ page type specimen book as I type this.
Why am I like this?
The Chris Ware quote is from IN THE STUDIO: VISITS WITH CONTEMPORARY CARTOONISTS which—initially—I was a bit disappointed with only because I was expecting to see cartoonists in their studios and get a good look at their setups, daily routine, and much talk about process and craft stuff. None of that is in there. But now that I know what is in the book and possess no false expectations to be crushed, I find that I enjoy returning to it now and again, picking up on something new every time. Like that quote for instance, which rings true to me as a perfect methodology for crafting stories.