Six years and some 250 pages later and I'm still on my bullshit.
In the final 30% stretch though, so edging closer to finishing this godforsaken project.
Off to New York tomorrow. Buncha things to do there, but compared to the amount of busy I've been lately, it's the closest I'll be getting to unwinding for a while.
Also, excited to be making a public appearance at Desert Island in Brooklyn on July 29th, 6-8pm. It'll be the first in-person public thing I've done in long long time!
#journal #work #TheSolarGrid #comix
When I was a little boy I couldn't get enough comicbooks, this was before I could even read. Thanks primarily to my older brother who was an avid reader of the things, along with sci-fi and fantasy paperbacks and Dungeons & Dragons catalogues. I would just stare at the artwork of these things, unable to understand the stories but my imagination would make up its own conclusions and assumptions based entirely on the stunning art. The first burning desire I remember ever having in this world is being able to read, just to understand the seemingly magnificent tales depicted by the artwork of these comix and paperback covers. The second burning desire I ever remember having is wanting to make those things.
Eventually, I'd manage to fulfill that first desire and unlock the ability to read and understand those stories, some living up to whatever I imagined, some surpassing it, and some... well not so much. As time progressed I would acquire new desires; getting to know girls, painting murals, showing my art in museums, so on and so forth. And indeed many of these desires I would end up fulfilling, but the second desire I remember ever having in this here earthly existence? Yeah, not yet.
But now it seems like fulfilling that desire is inching closer to reality; I'm now working on the last 30% of my epic 400+ page sci-fi graphic novel! Earlier chapters of which are being released in single issues as we speak! And in less than 2 weeks time, I'll be doing my first ever comicbook signing!!
This is such a big deal to me. I'm filled with all kinds of feels that are difficult to describe. Also, I've heard much lore of the legendary Desert Island in Brooklyn where the signing is to take place, and I really can't wait to check it out and [likely] discover a few gems that have probably escaped my radar.
#Journal #Work #Comix #TheSolarGrid #Appearance
Looks like my plate is rather full well until spring 2022 maybe, hence the radio silence for almost two weeks now. “Ganzeer.Today” my ass, amiright?
Had quite a bit of calendering to do to make sure everything is accurately scheduled and planned so I can hit all the necessary milestones for the various projects exactly when they need to. I do like to plan for a little leeway, and there's some of that but not as much as I typically like.
THE SOLAR GRID is moving along, currently inking Ch.6 (issue #7 in the print editions) at a rate of about 1 page every 2-3 days, which isn't too too bad considering the other projects I'm juggling (all of which are awesome and I'm terribly excited about, announcements for which will be forthcoming).
Issue #4 drop July 21 and it features what may just be my favorite cover art to date:
There are a couple TSG events in the works; a real live in-person one when I'm in New York in a few weeks, and a pretty awesome virtual one slated for August, fingers cross on both. More deets later pending confirmations.
(Pictured top is a scene from THE SOLAR GRID #7)
Don't know why I thought I could ink this double-page opener in a single day. Here I am 3 days later. The lighting is a bit tricky, because I have three sources in an otherwise very dark location, and I'm just figuring it out in inks as I go. Here's hoping I finally nail it today.
In other THE SOLAR GRID related news, I did a Twitter video-thread on TSG #2 which came out in print last month.
Also also, I'm doing a live video thing today on Booklyn's Youtube Channel called “My Favorite Book”. 5:50pm CST.
#journal #work #comix #TheSolarGrid
AC has been out for 5 days now. In Houston. It is lethally hot. Afternoon temperatures hover around 34C/91F these days.
A lot of people's AC units must be breaking down, given that it's taking the insurance company multiple days just to send someone to look at the damn thing!
At least one good development has come out of this: I've gotten into the habit of kicking off my days by spraying water in front of the house and setting out a couple chairs for the wife and me and our coffees. The water cools off the surrounding air before the hot hot son peeks out from behind downtown Houston's skyscrapers. A ritual I nicked off of Cairo's old shop owners who almost always start their hot summer mornings this way.
In somewhat related news, gave a studio tour over at Radix Media's Instagram Stories yesterday, some of which may still be up there.
There was one day in London I had designated as the comicbook day, whereby I'd get a crew together and we'd do a bit of pub and comicshop hopping. Due to scheduling difficulties, the crew however was narrowed down to Ahmed Raafat, James Harvey, and Isteshhad and the day became a couple hours. Nevertheless, it was still a highlight!
Got one pub in and two comix joints; Notting Hill Comics Exchange and Gosh!. Also made a little trade with James Harvey and got his latest, LUIGI MODE, which—judging by the first issue—is so very good in true James Harvey fashion. Nobody makes comix likes James, not visually, in tone, story, or anything. Such a unique, masterful, and most of all odd voice he is.
Only other thing I managed to read is one of those SPEAKEASYs, a British rag about the comicbook industry from the 80's and one that I'd never heard of before. The one I read, dated June 88, is evidently an important one! It reports the formation of the Eisner and Harvey awards after the dissolution of the Kirby Awards, the establishment of Alan Moore's Mad Love publishing outfit, and even newcomer Rob Liefeld's HAWK & DOVE debut (Rob Liefeld who within less than 10 years would be paying Alan Moore $10k a script for his stellar yet seldomly talked about work on SUPREME and others). The way history unfolds will never cease to amaze me.
Plenty of other gems in the issue, including an interview with even then obnoxious Howard Chaykin and a review of Bryan Talbot's ADVENTURES OF LUTHER ARKWRIGHT which I haven't seen in a good 20 years and probably need to restock on and reread but I have too many books as it is and need to remedy the situation by either unloading books first or moving into a bigger space but I'll be damned if I move anywhere else ever again goddammit.
Not sure when I'll even get a chance to properly go through them, but here are some of the wonderous finds I made in London's bookshops, [absolutely essential!] research material for Chapter 7 (issue #8) of THE SOLAR GRID.
Those in addition to REBELS AGAINS THE FUTURE by Kirkpatrick Sale make up the research for that single chapter! (and a bit of Ch.8/Iss.#9). Probably not entirely necessary. Could've cheated my way through the thing, but I do believe all this research material will add much authenticity to the installment.
Sale's book is in fact wholly essential to THE SOLAR GRID's development in a weird very indirect way. You wouldn't know it if you've read both, but I know it and I like to wear my influences on my sleeve. I hadn't heard of Sale prior to picking up the book some 3 years ago, but I was interested in his subject matter. Interestingly enough, Sale's name came up a few months ago in a pretty fascinating story in Wired. Truth be told, he comes off as a bit of a dick, but I will nevertheless owe him a great deal for writing that book.
In related news, today sees the print release of THE SOLAR GRID #3!
#journal #work #comix #TheSolarGrid
The short comic I mentioned having to script a few days ago? Well, as a visual person, I had to lay it all out first in thumbnails, and now I'm finally getting around to scripting based on those. I wish I could just go right in and draw the thing, but it's for a publication that involves editors and publishers other than myself and so approval is first required.
I actually wasn't required to script, they just need an idea of what it's about, but it's a weird essay comic that isn't quite synopsable (is that even a word?). Maybe it would be in a more skilled writer's hands, but it seems to me the best way to communicate the thing is by full script. Will probably include the thumbnails in the script as well, since the people looking at this are more typically involved in fine and contemporary art than comix.
Hope I nail this script today. Already a bit behind and have much other work to catch up on (and I really would love to write that damn newsletter).
Will attempt to script a 15-page comic today for an art-centric publication. Have a few formal experiments in mind I'd like to try, and I'd also like to squeeze in a bit of history, autobiography, and social commentary in the mix. For it to work, it's gotta look smooth and effortless, but there's a bit of figuring out to do that isn't quite so effortless.
That in addition to a couple extensive zoom meets are probably all I'll manage to muster today.
When did I become so terrible at newslettering?
Back in Houston since Friday night. I've been meaning to post more about the UK trip but have not had the time, and as of yet still don't have the time. A few work things I need to get into motion today, in addition to tidying around the garage and re-setting up the home-gym again. And maybe even putting it to use! (After a 3-week hiatus, blurgh.)
Responded to all emails, reducing inbox to 0. Overcame FOMO and emptied RSS Reader. Also, deleted Facebook account (which I hardly ever used anyway).
Also scheduled to look after Moony for a couple hours. Best carry on before he awakens again.