If I were to describe my usual go-to line-art style, I would say it probably falls somewhere between the Toth and Toppi schools of mark-making. Lately though I've been working on a couple pages in the latest TSG (Ch.7/#8) set in the early 19th century, which has prompted me to mimic the general illustration/printing style of the era. This has called for a fuck-ton of crasshatching and over-rendering, whereby each stroke has amounted to a stab by hairpin straight to the heart.
I would typically include an image with a post like this, but I've come to the decision to forego images altogether in this here blog (for the most part), primarily because it involves a couple of less-than-seamless steps that I'd like to eliminate. Most pics posted here are taken with my phone, before being transferred to my computer from which I upload to snap.as. From there I snag an embed link which I paste into my post. That's 5 steps just to include a picture, which has resulted in something of a barrier in my resolve to post regularly. It'd be nice to live up to the “.today” in the blog's title, and by foregoing images, all it'll take is rolling my chair over to my computer and typing away. Should be easy enough.
Instagram lends itself better to image-posting (snap+post), so that's likely where my journal-like picture-taking will live (at least for now, as I do loathe that it is owned by Facebook and bombards me with shit ads). I hear Tumblr is making a comeback since lifting their nudie censorship. I was very much a fan of Tumblr back in the day, especially because its app allowed you to microblog with ease from your phone onto a webpage that could be highly personalized. But I wouldn't be able to bring myself to trust them again.
I also will have to put Ganzeer.Reviews on hold, because that's a whole process that I just no longer have the bandwidth for. I might have to resort to folding my reviews into this here blog, sans pictures, and likely taking the form of micro-reviews.
On which note, just watched COCAINE COWBOYS from 1979 by Ulli Lommel and thoroughly enjoyed it. There are bits in there that didn't at all need to be in there, and bits that were not in there that could've been in there, but overall, I dug it. Jack Palance is really good in it and I found Tom Sullivan to be rather captivating. Andy Warhol has what could be initially assumed to be a cameo, but is in fact a role that is so absolutely central to the plot, which I really loved, especially that he plays himself. Such an odd but really special film, brought to my attention thanks to The Video Archives Podcast which is now my new favorite fix.
Friend of mine has been talking me into doing a podcast together (Yes, another project! Less time!), the thought of which amuses me. Lack of a theme, however, has me unsure whether or not this will actually happen. Also, I'm not sure there's much of a vacuum in the current podcast-scape that needs filling, and I'm only ever drawn to vacuum.
There is an abundance of unread books taunting me from my shelves, yet my Thriftbooks cart is filled with 16 books which are also taunting me. I'm convinced I have some kind of terrible illness.