It has been a week of strange, slow-paced sci-fi from the 70s at the Ganzeer cinema this week for some reason:
1. WORLD ON A WIRE (1973)

Second screening for me. The first time I was probably too young and immature to pick up on what it was actually about. This time around, I was actually surprised to discover that it dives into simulation theory, the core premise of the entire film! What with simulation theory kind of being the topic du jour in 2026, the movie is way ahead of its time having been released in 1973! I was always under the impression that it was 1999's THE MATRIX that first introduced the idea in popular culture. The internet tells me that the first “formal” proposition of a computer-based simulation hypothesis was not until Oxford philosopher put it in a 2003 paper titled “Are you living in a computer simulation?”
Though German computer pioneer Konrad Zuse seems to have laid the groundwork in his 1969 book, CALCULATING SPACE, arguing that the entire universe operates like a giant computer, a slight difference to suggesting that we were in fact potentially living inside a giant computer. Philip K. Dick though certainly kicked around very close ideas in a bunch of his stories.
Albeit slow, with stunted and often times laughable performances, WORLD ON A WIRE is still worth the watch (and worth keeping in your library) for the gloriously aesthetic 70s-era ultra-modern interiors alone.
2. SILENT RUNNING (1972)

Based on the premise, I expected to be into this one more than I actually was. The ecological ethos of the film is probably more urgent and relevant now than at the time of release, but the ending is just too much of an unnecessary downer to warrant sitting through the excruciating slowness of the entire movie. Really great production design though.
3. SOLARIS (1972)

Slowness is to be expected with Andrei Tarkovsky at the helm. Not great, but again, great production design, and so different and far more philosophical than Steven Soderbergh's 2002 adaptation, which Sanislaw Lem (author of the original novel upon which both films are based) loathed, surprising of course no one. Lem was known for his scathing essays critical of the standard flare of American sci-fi (and this is in regard to novels let alone movies), often citing formulaic tropes and low-quality trash that lacked any sense of philosophical inquiry (singling Philip K. Dick as a rare exception). I should probably get around to reading more Lem soon.
OneDrive have notified me that autosyncing with my camera app will be discontinued in a couple days, so I am now scrambling to transfer all media from my phone to an external harddrive. Some 20,000 photos and videos that I have to archive in batches of 500 or so, because my newly downloaded Photosync app crashes otherwise. This will probably take me all goddamn day. Going forward though, I should be able to set it to auto-archive (and delete from phone!) on a monthly cycle without any hiccups.
Looking forward to ridding myself of the various cloud-storage services, just as I have with streaming.
#journal #film