The Retro Sci-Fi: GIF Edition reminded me of all the animated gifs I had once created for the first iteration of TIMES NEW HUMAN, the format of which was web-based. Most of those gifs are now lost to history for some reason. I've never been good at adequately archiving my output, something I've been working towards changing, and partially why Ganzeer.com is built to function as a genuine archive of all the work rather than a mere web brochure with a handful of samples. The latter being what is dominant in the field. I haven't quite managed to make it a “genuine archive of all the work”, but it's certainly more in that direction.

I wonder why I ever thought to take the animated gif route for those TIMES NEW HUMAN illustrations, given that a print edition was kind of the end goal all along. Seems like added unnecessary working hours. I suppose it's partially because animated gifs lend themselves so well to the web as a medium, and rather than copy-paste something as is across all media, the “purist” in me would like every iteration of a thing to be tailored perfectly to its own medium.

But really, how necessary was it? Seems like so much time gone to waste now.

Today is Tidy-the-Studio Day. I choose Wednesdays because the weekend seldom works. If I finish early enough, I might just get to drafting the newsletter. But first, email. Inbox is now at an unruly 43.

Overextending? Probably.

#journal #work

I am a terrible multitasker. I thought I'd be able to alternate between writing and taking podcast notes, but when I'm in the writing zone (indeed in any zone), I find it very difficult to pull away and do something else. Even if I designate the something else towards the tail-end of the day.

So today I will attempt to power through 6 episodes, half the season we recorded. Now, each episode is quite long; an hour or more in some cases, which means more video-watching than I can handle. Basic logic would dictate spreading the episode-watching and notetaking across several days to ease the blow of the task at hand, but that would necessitate employing the kind of mental gearshift that I sorely lack.

Why am I like this?

#journal #work #podcast

One of my pet peeves of living in America was how fresh herbs were treated like gold. You'd get less than an ounce of the stuff squished into a palm-sized plastic container for 2 bucks or more. Egypt has the opposite problem. Fresh herbs are in great abundance, and they're always sold in big bunches that go bad faster than you can put to use. So today, we are oven-drying rosemary for the first time. 4-6 hours apparently on the lowest setting for best results.

Writing is going oh so swell today.

“Conan in a trenchcoat.” – May just be the best line in this Frank Miller/Rick Rubin interview.

#journal #work #radar

Eyeing my reading corner aspirationally until Ikea get their shit together and restock the chair's cushioning, which they only informed me was out of stock the day of delivery. A full week after I'd originally ordered it.

Haven't even had a chance to put this part of the space to any use and Tiger has already mauled one end of the rug to shreds. Comes with the territory of being chosen by a cat, I guess. And I really do need to have that tinted glass replaced. Fall is here and the sun has already shifted to where it seldom enters the space.

Given the above situation, not much reading has been getting done (I'm not great at reading in bed), but I did manage to write 11,451 words in September. Looking to churn out much more through October. Very little drawing this month. Hopefully I'm not too rusty by the time I do return to the drawing board.

STATUS:

#work #journal #studio

WORKSTREAM: Got to see proofs for issue 2 of ELON magazine, which features my collab with Dominic Boyer, and it's fantastic! The Gigacities Collective have done a really great job at creating the new culture-jamming publication for our times. I'll remember to post again once it's out and there's more information on how to get it.

The complete THE SOLAR GRID box-set can now be nabbed through Asterism.

October is already here, which I'm gonna need to dedicate almost entirely to wrapping up TIMES NEW HUMAN if I can. Quite a bit of work travel slated for November, which knowing me will disrupt any semblance of flow.

Got the strangest email the other day inviting me to be interviewed about THE SOLAR GRID for a podcast... in exchange for a fee. Didn't even realize that was a thing now.

RADAR: Great Kim Stanley Robinson interview over at the Crisis and Critique Youtube channel.

Watched SOYLENT GREEN the other night for the first time! What a great goddamn movie! Can't believe it passed me by. It must be Ganzeer-discovers-the-70s season over here.

STATUS:

#work #journal #radar

Better start to the morning today: Exercise followed by a chickpea scramble, together with cottage cheese mixed with diced tomato and kalamata olives and a side of cucumber.

Freshly-minted short story shipped off to Jared Shurin for his forthcoming edited issue of ParSec. The brief he sent me, a single image, was impossible to resist:

More TIMES NEW HUMAN rewrites this morning, reserving the backend of the day for email and podcast notes.

Inbox: 17, RSS: 5.

#journal #work

My friends at Radix Co-op are debuting THE SOLAR GRID box-set at Printed Matter's New York Art Book Fair as we speak. If in New York, swing by MoMa PS1 and check it out.

Front cover preview until I get glamor shots of the actual box in all its glory.

#work #tsg #comix

Bootlegged THE SOLAR GRID!

Imre Szeman, author of FUTURES OF THE SUN and one of the scholars on our THE SOLAR GRID panel at Petrocultures 2026 in Dresden, printed out the digital edition so he can read it that way in preparation for his presentation/commentary (which was so smart and immensely insightful). He made sure to have the pages printed on both sides, so his experience of the work would be the closest approximation to the intended format. And my, it's a big-ass motherfucker of a book, innit?

This is how I did much of my comics/graphic-novel reading in my late teens and early twenties, when my preferred comics-material was all too hard to come by in hardcopy formats in Cairo of the late-90s/early-2000s. So I have a strange affinity for that spiral-bound bootlegged home-printer aesthetic.

The panel was awesome! Super insightful (and embarrassingly humbling) presentations, great Q&A, and many exciting conversations thereafter. Several professors mentioned their plans to include THE SOLAR GRID in their teaching syllabi.

The air is refreshingly crisp in Dresden this time of year. Nothing quite like a midnight smoke out on the balcony in nothing but your underwear and a good German pilsner in hand.

#journal #work #tsg

Ampersound creates audiovisual non-fiction stories with a particular emphasis on the power of sound. Founded by George Lavender, the company develops all of its material by collaborating with actual human creatives, a quality that became central to the company's graphic identity, which I had the pleasure of designing.

Kamilia is a boutique perfume and jewelry brand named in honor of the client’s mother. From its inception, the design process sought to establish a visual identity that would convey the brand’s deeply personal origins while communicating the refined craftsmanship behind its products.

And here's a little tease of my collab with Dominic Boyer for Elon Mag:

It would seem that being exposed to all those dumb toy ads in comicbooks all my life would eventually come in handy after all.

“He who does not read, at 70 years will have lived only one life, his own! He who reads, will have lived 5000 years: He was there when Cain killed Abel, when Renzo married Lucia, when Leopardi admired infinity... Because 'Reading is backward immortality.'” – Umberto Eco

#work #design #quote

Did a fun collab with Dominic Boyer for the delightfully demented Elon Magazine, which I should be able to tease soon.

Tomorrow I prepare my Dresden presentation and take care of some admin.

Season 1 and 2 of SILO were good. Season 3 is frustratingly dumb because the main character now has amnesia and we follow her unravel the shocking mystery of what happened to her over the last two seasons, which we, as viewers, already know.

34°C and sauna-level humid and the lack of AC in the studio is proving to be lethal despite all attempts at overt nudity.

Inbox 464, RSS 0.

#journal #work