G A N Z E E R . T O D A Y

reads

“I started reading articles in newspapers on microfilm from 1885 to about 1865 to see what daily life was like. I wasn't so much interested in the issues as intrigued by the language and rhetoric of the times. Newspapers like the Chicago Tribune, the Brooklyn Daily Times, and the Pennsylvania Freeman. Others, too, like the Memphis Daily Eagle, the Savannah Daily Herals and the Cincinnati Enquirer.”

And it occurs to me that everything I know about slavery or the time that slavery existed is through contemporary eyes, contemporary retellings. Nothing beats going to primary sources, and there are clearly plenty. Something I oughtta remedy.

“There were news items about reform movements, antigambling leagues, rising crime, child labor, temperance, slave-wage factories, loyalty oaths and religious revivals. You get the feeling that the newspapers could explode and lightning will burn and everybody will perish. Everybody uses the same God, quotes the same bible and law and literature.”

From Bob Dylan's CHRONICLES: VOLUME ONE.

“Plantation slavecrats of Virginia are accused of breeding and selling their own children. In the Northern cities, there's a lot of discontent and debt is piled high and seems out of control.”

This is the great thing about this book. Dylan doesn't only relay what he was up to and who he met, but every so often he'll go on a tangent about things he'd been reading and conversations he was having and how it affected his state of mind.

“There are riots in Memphis and in New Orleans. There's a riot in New York where two hundred people are killed outside of the Metropolitan Opera House because an English actor has taken the place of an American one. Anti-slave labor advocates inflaming crowds in Cincinnati, Buffalo and Cleveland, that if the Southern states are allowed to rule, the Northern factory owners would then be forced to use slaves as free laborers. This causes riots too.”

Having lived in both the south and northeast, it's easy to see how similar population divides still very much stand today. The crux of the divide may be different, no longer really about want for subjugating others as much as it's a schism between “the faithful” and “the godless”. Not enough reason to go to war against one another, you need starkly different economic systems for that kind of ignition. Although the rhetoric that might fan the flames would most certainly lean on varying versions of righteousness, with “believers” of the South not taking too kindly upon the infidels of the North, and vice versa for sure.

“Lincoln comes into the picture in the late 1850s. He is referred to in the Northern press as a baboon or giraffe, and there were a lot of caricatures of him. Nobody takes him seriously. It's impossible to conceive that he would become the father figure that he is today. You wonder how people so united by geography and religious ideals could become such bitter enemies. After a while you become aware of nothing but a culture of feeling, of black days, of schism, evil for evil, the common destiny of the human being getting thrown off course. It's all one long funeral song, but there's a certain imperfection in the themes, an ideology of high abstraction, a lot of epic, bearded characters, exalted men who are not necessarily good. No one single idea keeps you contented for too long. It's hard to find any neoclassical virtues either. All that rhetoric about chivalry and honor—that must have been added later. Even the Southern womanhood thing. It's a shame what happened to the women. Most of them abandoned to starve on farms with their children, unprotected and left to fend for themselves as victims of the elements. The suffering is endless, and the punishment is going to be forever. It's all so unrealistic, grandiose and sanctimonious at the same time. There was a difference in the concept of time too. In the South, people lived their lives with sun-up, high noon, sunset, spring, summer. In the North, people lived by the clock. The factory stroke, whistles and bells. Northerners had to 'be on time.' In some ways the Civil War would be a battle between two kinds of time. Abolition of slavery didn't even seem to be an issue when the first shots were fired at Fort Sumter.”

And a few lines later:

“Back there, America was put on the cross, died and resurrected. There was nothing synthetic about it. The godawful truth of that would be the all-encompassing template behind everything that I could write.

“I crammed my head full of as much as this stuff as I could stand and locked it away in my mind out of sight, left it alone. Figured I could send a truck back for it later.”

Picked it up used for 5 bucks, and boy am I glad I did. The bits above worth the price of admission alone.

#reads

“I wanted to understand things and then be free of them. I needed to learn how to telescope things, ideas. Things were too big to see all at once, like all the books in the library—everything laying around on all the tables. You might be able to put it all into one paragraph or into one verse of a song if you could get it right.”

— Bob Dylan, CHRONICLES: VOLUME ONE

#mood #reads

“Without a collectivist economy to take away money's privilege... political liberalism would be a farce.”

— Albert Camus

Tell me this isn't directed at the U.S. Democratic Party from the grave.

#quote #reads

Finding much resonance in Camus' BETWEEN HELL AND REASON, essays written for the “resistance newspaper” Combat between 1944-1947. This bit however had the exact opposite effect:

“The problem of our day is not how to speak with words from the heart, but how to think clearly.”

Things have clearly changed in that regard. My sense is that the greatest issue of today, very broadly speaking, isn't so much one of clear-thinking in as much as it relates to a widely adopted practice of insincerity.

#reads

“We make love by telephone, we no longer work with material but with machines, and we kill and are killed by proxy.”

— Albert Camus, 1946

#reads

It is for the most part a problem-solving novel, and I like that. Robinson is able to make the uphill battle involved in all the bureaucracy and policy-making and head-butting that would ostensibly constitute the seemingly impossible task of reversing climate change read like a rollicking adventure without ever once diverging from keeping it grounded in realism.

Full review at Ganzeer.Reviews (apologies for long hiatus, you can chalk it up to 2023 being my divorce year).

#reads

“The aspiration to save the world is a morbid phenomenon of a people's youth.”

— E.M.Cioran, The Temptation to Exist

#quote #reads

“There are interesting correlations between myths across different traditions, links forged between Wales and Ireland in particular, but also persistent tropes shared by numerous cultures, including “tripleism”, which plays a key role not only in Welsh myth, but also in Macbeth’s trio of witches and old nursery rhymes. Threeness is 'an endemic part of British and European Iron Age and Roman provincial symbolism'.” — Otherworld Wales at TLS, discovered via Warren Ellis.

Relatedly: “During the Old Kingdom, the Sun god used to appear in three forms: at dawn called khepri (Ḫpr), at mid-day called Re (R‹) and at the sun setting called Atum ™...”

Let me just interject here by saying that this is clearly the basis for what we now know to be the three-act structure in storytelling.

“By the Middle Kingdom, trinity developed by merging three divinities together such as god Ptah-Soker-Osiris (Ptḥ-Sḳr-Wsir), who was regarded as single divinity in some texts by stating a single pronoun (di.f) or by stating plural pronoun (di.sn). The ancient Egyptians merged these three gods because they represented three stages; creation, death and afterlife, as god Ptah formed the creation, god Soker represented the necropolis and god Osiris represented the afterlife. Furthermore, during the New Kingdom in the Book of the Dead in chapter seventeen, the idea of the trinity was expressed by mentioning “Osiris (Wsir) was yesterday, current day is Hours (Ḥr) and tomorrow is Re (Ra)”.” — The Significance of the Number Three in the Ancient Egyptian Religion by May Ahmed Housny and Kholoud Ahmed Emara. Not the best written paper tbh (chalk it up to ESL), but some great information there. Like this bit of madness:

“The ancient Egyptians believed that the human identity was divided into two main elements: materialistic and spiritual. Our main concern will be directed to the spiritual elements as it comprises three main elements which were: Ka (k3): It is the sole companion which is born with the creation of the human being, Ba (b3): It is the spiritual entity that can move between worlds of living and death, Akh (Aḫ): it is the illuminated spirit in which the deceased wished to be resurrected in.”

#web #reads #history #mythology

Ordered by accident and almost tempted to keep it just for the terrible mis-registration on this copy's print job. Snooping around online and I'm not seeing any publicly available evidence of anyone else having come across such a terribly misprinted copy.

Almost want to send a picture directly to Dan Clowes just to ruin his day/week/life. But no, what good would that do without getting to see the look on his face?

#journal #reads

“Siphonophores are colonial marine organisms made up of specialised but genetically identical units, zooids, that undertake different functions, such as feeding or reproduction. The best-known species is the Portuguese man o'war, which resembles a large jellyfish but is actually seven different kinds of zooid that cooperate so that the colony acts like a single organism.”

From Paul McAuley's THE SECRET OF LIFE.

I note that he does the thing that I love when its done in fiction: including actual non-fiction knowledge. Chuck Palahniuk will almost always slide a little nugget of knowledge in his novels (i.e. how soap is made in FIGHT CLUB or how long it takes to choke in CHOKE, and I think there was something about airplanes or bodybuilding or both in SURVIVAL). This strikes me as an essential function of storytelling: using story to ever so slyly act as a vector for knowledge. It isn't the only function, but it seems to be one of several essential functions. It is after all a tradition as old as time itself. The oldest story known to humankind, THE EPIC OF GILGAMESH, lets it be known that wood obtained from Cedar trees is ideal for shipbuilding (and indeed, the oldest known surviving boat, excavated in Egypt, is built out of Cedar). The myth of Osiris contains mumification instructions. Story is carrier wave for philosophical pondering, parable, moral compass tuning, and factual knowledge. Drama is, for the most part, a really great delivery system.

At least that's how I like it.

#journal #reads #story