A couple hours after the sense of release/relief following the completion of the TSG chapter that precedes the very last, I started to think about the work ahead: The next and final chapter in THE SOLAR GRID.
According to script and thumbs, the last chapter is a 50-page beast. Between pencils, inks, and letters, we're looking at an average of 3 days per page, and that's if I work fast and assuming no pages require color, but there are in fact quite a few that do. In fact in fact, some even require what might best be described as ill-advised mixed media madness that I'm not entirely sure I can adequately assess the time it would need to make before trying to work on one or two such pages first. Which means we can be sure that 3 pages a day is way too optimistic and things will probably not work out that way. But even if we were to make use of this ludicrously optimistic calculation, we would be looking at 150 days of work. Five months basically, and that's if I work weekends and take on no other projects whatsoever, however small.
This is a terribly depressing realization and wholly unrealistic. I can't not have this chapter finished before year's end, I just can't. I will kill myself. The only logical thing to do at this point would be to go back to script and thumbs, see if there's anything I can cut or at least compress. And perhaps do without any unpredictable visual experiments that could potentially multiply execution time, no matter how strong the creative itch is. I really shouldn't spend more than three months on the thing, so that means I need to see if I can bring the page-count down to 30. That's a lot of fucking cutting and compressing.
Shit.
On a completely different note, I have done absolutely nothing towards this week's newsletter which typically goes out every other Friday at 11:59 pm. It is now 9:45 pm.
Fml.
#journal #comix #tsg
Just announced from Graphic Mundi, wherein Yazan Al-Saadi's dispatches are illustrated by an impressive lineup of comix-makers including one short illustrated by me, originally for the now sadly defunct The Nib. Titled Cairo Under the Crackdown, here's an excerpt.
#work #comix
I'm sure I will regret this 11:00pm coffee, but I need to push to get this chapter in the can.
It's true what they say, the last 10% of any project is always the hardest. No idea who “they” are, but I'm pretty sure it's a thing.
#journal #work #comix #tsg #resistdystopia
Inking with a Q-tip to get them fat cap feels. Always a challenge to recreate the look of one medium using another, but I think it turned out alright.
#work #comix #tsg #resistdystopia
Promised myself I wouldn't travel until the entire TSG is in the can, but this chapter has genuinely sapped the lifeforce out of me and I think a recharge is very much in order. Considering fucking off for a few days as soon as its wrapped. Either Mexico City or NYC, can't decide. Mexico City is closer, more my vibe, and kinder on the wallet. I do know more people in New York though, some of whom I haven't seen in a couple years.
#work #TSG #comix #journal
Another day of surviving on a mere three hours sleep after awaking at 3:00am for no good reason. Orders dropped off at post office though, and a quick visit to the lab for bloodwork checked off (I'm rather particular about my health and try to get tested fairly regularly). These are now the very last remaining copies of THE SOLAR GRID #1 in existence:
Cover for the print edition of #9 underway today.
#work #comix #TSG #journal
Early on in my work on THE SOLAR GRID, I used to pencil pretty tight, with the inking process constituting little more than tracing. Now, I pencil very loosely.
And then work in much of the drawing directly in ink:
Also, this panel right here:
I definitely wouldn't have had the confidence to put that in there early on. I've always loved Godard's rear-view driving sequence in BREATHLESS though. How I'd love to several pages of that sort of thing in comix.
#work #comix #TSG
Almost can't believe I'm this close to the finish line. But then again, it's only been 9 years.
Unwise to get distracted by the big picture at this stage though. Moving along, methodically, one page at a time is all that needs to be done right now.
#work #comix #TSG
Mad graffiti in the ghetto of Orson Wells on Mars.
For all the scenes on Mars in TSG, I've been inking with a brush as a sort of rule, but I may just have to make an exception for all that graffiti.
#work #tsg #comix
Little dude's mouth needed a do-over, was a little to agape. The more subtle the expression, the harder it is to pull off. It's why the Mona Lisa's such a big deal.
#Work #comix #TSG