G A N Z E E R . T O D A Y

Journal

Coffee is shaken, not stirred. That's what creates the foamy top, together with a tablespoon of coconut oil and a dash of goat's milk (I used to take my coffee extra sweet for years, but I've been off sugar for two months now and the coconut oil—although nowhere nearly as sweet as sugar—cuts through the bitterness some).

It's time to ink today. For which I'll be using a series 795 Round Loew-Cornell #2 brush for the first time (I usually use Trekell's Kolinsky Sable Round 7000 series in a size #3 for brush work, Zebra's G nib for, uh, nib work, and Staedtler pigment liners—mostly 0.3 and 0.1—for straightforward “cleanline” styles).

(Which should not be confused with the European “Ligne Claire” approach, which still offers a degree of line-weight variation. That's what the Loew-Cornell is for, it's what Chris Ware uses. The Kolinsky #3 is what Eisner used, and offers thicker strokes. G Nibs are used by Naoki Urasawa (I think?), and pigment liners are used by Mignola.)

Excited to see what the Loew-Cornell will do.

#Work #Journal #TheSolarGrid #MakingComix

My good friends at the Boulder Weekly have decided to publish my demented vision of the future and use my art on their cover this week.

Still working on that cursed “isometric” page in THE SOLAR GRID. It's coming along rather well (albeit a little slower than a “standard” comix pages).

Elsewhere in the back of my mind, I'm thinking of the weird surrealist art that used to adorn many science fiction paperbacks of the 60's and 70's, and that maybe, just maaaaaybe... I might like to do something along those lines for THE SOLAR GRID once complete and collected.

#journal #work #TheSolarGrid #makingcomix

Not a good day for migraines, not when I'm drawing something that requires a high degree of precision.

This kind of isometric perspective that is typical in the work of Chris Ware doesn't come naturally to me, mainly because... well, I hate rulers. Not as much as, say, Paul Pope (who draws buildings and stairwells and cars with the same organic brush-strokey energy seen in his figures), but still; this kind of approach is all rulers.

To be fair, a facet of all my work is probably the tension between “accuracy” and its complete opposite.

Good things can come out of migraines btw. There's this page in Chapter 1 that I distinctly recall being hit with a migraine attack the day I was working on it.

In fact, that particular page wasn't even planned at all. I only included it because of the attack. And it's probably the only bit in the entire chapter infused with a degree of humor. ¯_(ツ)_/¯

I was living in LA at the time, which, shit already feels like a lifetime ago.

#Journal #work #MakingComix #TheSolarGrid

Lunch today is tuna salad after which I may need my third cup of coffee (which is a lot for me).

I did not get around to inking yesterday, and today I felt like I'd rather get some more pencils in, so set myself up for two not entirely easy pages. For this segment of the book I'm channeling a combination of Chris Ware, J.H.Williams III, James Harvey, and Steve Ditko.

It may sound like an odd combination, but trust me, there's an area of comix storytelling in which they all overlap. The switch in art styles always requires some serious recalibration from me but I enjoy getting to experiment.

Several things to do today though that are likely to slow me down; Gotta Skype in (or Zoom in rather) to an art history class [I was asked to “speak at”] in like half an hour. After that I'd like to get in a quick exercise because I've been putting it off for a several days already.

Started Asimov's FOUNDATION trilogy last night (which I've blasphemously never read), and skimmed a few of Image Comics' first issues, of which I thoroughly enjoyed Daniel Warren Johnson's MURDER FALCON and THE NEW WORLD by Ales Kot and Tradd Moore. Fantastic stuff!

Inbox is at 15 today , which may prompt me to unsubscribe from a number of newsletters.

#journal

Yes, I finally introduce the aliens.

Not sure anyone reading THE SOLAR GRID was expecting aliens.

It is 9:43 am in Houston and I've been up for at least 6 hours. Two-three of which I spent trying and failing to fall back asleep. My mind is awake, but my bodily functions are very much dead. Today will be a sluggish day at the drawing table.

Still, I am foolishly determined to finish a full page of comix today, inking and all.

The air is pleasantly cool and the blue jays populating the palm trees outside do not sound as pretty as they look.

The spread above is from my sketchbook where I've revisited the design of the alien(s) I'm about to introduce in the actual comix pages. If you look very closely at the page on the right hand side, you can probably make out some of the alphabet I devised for their language.

Don't really have the headspace to figure out how to develop it into a font, so will have to hand letter that shit.

Lovely.

#journal #work #MakingComix #TheSolarGrid

Quick housekeeping update:

Newsletter went out late last night, and my inbox is down to 34. I should manage to bring it down to zero by tomorrow. Ganzeer.com has been updated with the handful of things I unleashed in 2020.

I also removed all the widgets I had on the front page for Twitter, Instagram, and this here blog because the way they were embedding wasn't ideal and I wasted too many hours trying to make it better. Figured I can settle for just links without agonizing too much about it.

Cleaned around the garage a bit too. The coming week should be good.

#journal #work

Dusted off my GPD Pocket PC which I haven't used since Denver (some... 8 months ago maybe?). It had become my preferred writing tool, not because it does it better than anything else, but simply because it's not particularly ideal to do other things. Sure it's got a touch screen, and can run Photoshop, but the screen is too small to do any of the other things with a degree of comfort, so I had relegated it to a writing tool. On its own it even isn't particularly good at that either, because the keyboard is way too small to type with any degree of effeciency, but the collapsible bluetooth keyboard I got is there to remedy the problem. Keyboard stopped working though, so I'm back to using my Surfacebook for writing—which isn't a bad thing at all. Just need to get used to turning off notifications and avoid opening any other tabs (the tiny size of the other one just makes you not at all interested in multitasking).

Inbox is at an unruly 57, and temperature is at a sizzling 31C (87F) just the way I like it. Menu for the week is set according to available provisions.

Enjoyed an afternoon drink with a friend over Skype the other day, and virtual coffee with another friend this morning. Which is something I could've used in my 14+ years of independent artistry (which has always entailed working from home for extended periods of time), but only now is it becoming part of the culture at large. I win, I guess.

My strategy right now is to continue producing even though I have absolutely no income streams to look forward to for the foreseeable future. We'll see how long I can persevere.

It's a good time to get absorbed in a book right now, but I've been having trouble finding the right read. Just before the pandemic, I read Cormac McCarthy's THE ROAD which I disliked very much. I attempted Kurt Vonnegut's CAT'S CRADLE a couple nights ago (my second attempt in a year) and decided that it just ain't for me (a shame, because I loved his SLAUGHTERHOUSE-FIVE), and so in the give-away box it was tossed.

Hope I find something soon.

#journal

I was planning on getting a tattoo last week. The appointment was set for Tuesday, but the artist and I both thought it would be better to postpone given everything that was going on.

I don't scare easily, nor do I panic (I have after all lived through things like revolution, civilian policing, military curfew, and relentless dictatorship—not to mention being separated from friends and family for a good 6 years now), but I wasn't about to have my skin poked at with needles in the middle of a mass pandemic. This isn't paranoia, it's just rationality; I can live without a tattoo, it's cool.

Managing Expectations

From what I'm seeing, it still seems like there are an awful lot of people who assume we're looking at a 2-week high alert situation before things go back to “normal” (thanks in no small part to misleading addresses from the White House). But I think it's fair to say that it's very clear we're in this for the long haul. The Washington Post noted that “It took three months to reach 100,000 Coronavirus cases worldwide. The second 100,000 took 12 days.”

This thing is sneaky as fuck and really knows how to spread. Out of 285,772 cases so far 11,876 have died. That is a 4.1% death rate (it should be noted though that the rate differs widely per country; 0.97% in South Korea, for example, versus 7.94% in Italy). The estimate right now is that Coronavirus will infect half the global population. What that means is we can expect over 338 million deaths worldwide, at what seems like an unprecedented rate (unless of course strict “social distancing” measures are put in place and kept in practice for the foreseeable future).

There's very little we can do about this unless a vaccine is developed, and it is close to impossible for such a vaccine to be made available before 18 months, if even.

Adapt or Die

What that means is that we are going to have to adapt the way we live to a situation where a deadly very contagious virus is among us. Not for the coming two weeks, but for the coming years. I briefly touched upon the notion of superusers in my recent newsletter, in that there are superusers for everything. Our species may not have dealt with anything like this, not since the Black Death (a combination of both bubonic and pneumonic plagues) and the Spanish Flu, but among us walks a very specific segment of society comprised of superusers of life-with-substantial-threat-of-viral-infection, and it is from them we may need to learn a thing or two. Mark Schoofs for Buzzfeed: How to Survive Yet Another Plague – I Lived Through The Aids Epidemic. Here's How To Live Through Coronavirus. Very poignant, very important read.

One of the biggest takeaways from Mark's essay is the realization that this isn't something you can just wait out, nor is it something you can rely on the government to solve for you. This is something that we, the potential carriers (which in this particular case is every single human being on the planet, regardless of habits or lifestyle) will have to adapt to. Essentially, we all need to wear condoms on our hands and faces now.

We also need to constantly disinfect surfaces, wash hands regularly, limit physical interaction with one another as much as possible. This, many of us already know, because it's all we've been getting from various media for the past couple of weeks, isn't it?

Yet, I've seen an awful lot of people not entirely complying. And I'm not talking about the deniers and disbelievers, I'm talking about the ones who think it's enough to wipe their shopping cart handles at the supermarket, while continuing to share breathing space without need for gloves or face-masks (also, postal workers—at least here in Houston—were not provided with either). I should note that I'm anything but a germaphobe. I've eaten off of street carts in Cairo and Hanoi, am used to greeting friends with hugs and kisses, have never shied away from liberally sharing drinking straws, and have never purchased a bottle of hand-sanitizer not once in my life. However, A VERY DEADLY AND VERY CONTAGIOUS VIRUS LIVES AMONG US NOW! Out of love and compassion for other human lives, taking necessary precautions shouldn't even be optional. It's a necessity. It's clear that not enough people fully understand how Coronavirus works. And even many who do seem to think that properly dealing with it only requires temporary measures.

While I understand the need for people to believe that for the benefit of one's own comfort and sanity, but that's only if you're frightened by the notion of adaptability, of needing to make lifestyle changes in order to adapt to a new reality. We, as a species, do it all the time though! We've even done it within our own lifetime(s) (it should be as clear as day to anyone above thirty). That is a reassuring thought, isn't it? We're good at adapting. We can do this. The difference this time is that the changes we make are going to have to be relatively drastic and enacted at unprecedented speed.

Luckily, it's almost as if we've been working towards this moment for a very long time now; we have the technology to move many of our interactions to the virtual realm, we can have almost anything we need delivered to our doorsteps, and much of our cultural entertainment is already streamable.

The New Normal of the Future

If a vaccine cannot be developed in less than 18 months, then we must envision how life under Coronavirus can be sustained for at least 18 months (if not more). We then must also envision the ripple effects those 18 months will have on the culture at large beyond those 18 months, likely for the entire decade that is the 2020s.

The New Workplace

Home will be the new workplace for most people. A trajectory we were heading towards anyway. Co-working spaces? Definitely done for. Certain jobs that are simply impossible to get done remotely will require specific protective gear, utilizing knowhow gained from industries that deal in hazardous matter.

The New Public Gathering

Maintaining a two-meter distance will likely become the new norm, but only in open spaces. You can forget about public gatherings in closed spaces, which will make theaters, restaurants and cafes as we know them completely obsolete. We'll instead see a proliferation of takeout-based establishments, and maybe even a return of the German-style Automat (which has already made a soft comeback in San Francisco anyway). Establishments designed to accommodate sit-in patrons will have to be entirely rethought with necessary social distancing and sanitation in mind; a very low cap on the number of patrons within, fewer tables, and perhaps a proliferation of booth-style seating. Bartenders, baristas, and cooks will all be required to wear the necessary protective gear.

The New Workforce

Protective gear will be required by all on-site jobs that need to be performed by humans. Anything that needn't be performed by human beings simply will not. We've already witnessed the birth of the RoboVac, the occasional Robot Bartender, and smart warehouses. We can expect an acceleration in the development of robotics and a severe reduction in jobs performed by humans. These will be welcomed by the general public because it will no longer be a matter of maximizing corporate profit and instead be a matter of preserving human life.

The New Travel

We've experienced a good century of unprecedented human travel. This will probably slow down and travel will only be on a need-be basis for most people (which wouldn't be so bad for the environment). On the short run, airlines may start giving passengers mandatory gloves and face-masks. If however it is proven that that is not enough to keep Coronavirus from spreading between people in tight closed spaces, airplanes will likely be retrofitted with private cabins. This of course will make air-travel very expensive and reserved solely for the elite. Given that boats can accommodate more private quarters (not to mention actual fresh air), we may see a serge in sea travel for non-business related purposes. With most people working remotely anyway, this really shouldn't interfere with employees' limited time off. If you can do the job from home, you can arguably do it on a wi-fi equipped cruise ship.

The New Socioculture

Cultural habits can differ from one place to another, but sometimes a trait from one culture can spill over and take root in another. Casual handshakes, hugs, and kisses will be no more. Enter the Japanese bow. It may first start with a nod, but time may prove the nod too casual a gesture in front of a senior or someone worthy of a bit more respect.

Also, promiscuity? Too risky. We've lived a good era of relative free-love, bar pickups, sex clubs, and random Tinder hookups—but we can expect sexual relations to take a turn to the very conservative. This has all happened before; some people forget that before the “Swinging Sixties”, there were the “Roaring Twenties”. The three decades in-between? Quite conservative. The Eighties also saw a return to conservatism. Such sexually conservative cycles almost always coincide with the spread of infectious disease.

The New Art & Culture

Aside from the importance of healthcare funding, Coronavirus has also reaffirmed the importance of culture. With the majority of us forced to stay home, we're quickly realizing the importance of film, television, music, and books as psychologically necessary comforts. This decade should see an uptick in affordable and easily accessible cultural output. Much of it may be virtual/streamable (even museum exhibitions), but too much of the untouchable may see a renewed appreciation for tactile things; subscription-based publications and other printed matter that utilize textured papers and a mixture of printing techniques may be on the upswing.

The New Tech

Given that the touching of surfaces is proving to be potentially lethal, all new tech in the coming decade will be optimized for contactless usability. Voice commands and hand gestures (powered by bluetooth rings) will dominate devices and appliances.

The New Fashion

Masks will become as mainstream as pants. Air-filtering scarves will become a thing, and we may even see shirts designed with mouth covering parts that you can just pull up when necessary (think of it as an evolved turtleneck). Gloves will definitely make a fashionable comeback. Tattooing will be seen as an easy harbor of disease and quickly lose the mainstream acceptance it has gained over the past three decades.

The New Food Supply

All viruses come from animals. Some viruses that cause the flu come from birds and pigs. HIV AIDS from chimpanzees. COVID-19? Evidence suggests it may have went from a bat to pangolin before making the jump to a human. It is that jump that results in the kind of hybrid-viruses that are particularly destructive to human immune systems (The 1918 Spanish Flu is thought to be a mix of avian and swine flus).

Thing is though that bats and pangolins don't traditionally mix in nature. It is human interference that brought both species together in a marketplace in Wuhan, China, where a large variety of live animals are kept in tight cages within close proximity to one another; the very same conditions that led to the SARS outbreak of 2003, where a Civet Cat is thought to be the culprit (or one of a combination of culprits).

(It should be noted though that if you caught SARS, symptoms would show very quickly. COVID-19 symptoms may not reveal themselves for a full 15 days [if at all], during which the carrier could very easily and unknowingly infect others. It's basically a more clever SARS.)

Essentially, nature has sent us the warning signs time and time again, but we seem insistent on carrying on “business as usual”. Westerners inclined to jump on racist bandwagons without ever questioning their own capitalist practices may put the blame entirely on another culture, but really animal cruelty is at the heart of these viral outbreaks be it Eastern or Western. It is not enough to ban wet markets in China, nor is it enough to ban wildlife trade. No animal should ever be caged, nor should their habitats be destroyed, nor should they ever be forced to mix with other species they wouldn't naturally mix with. All of that should be strictly criminalized.

We will likely see a rise in veganism, and those who cannot give up their carnivorous ways may be inclined to say goodbye to supermarkets and mass-produced meats and instead source their foods from small local farms they know and trust.

In order to adapt, big brands may start shutting down their industrial facilities and outsourcing their production to small farms instead.

Or, they may instead transform their big industrial facilities into megalabs where meat is grown instead of raised. These will be touted as more hygienic, environmentally-safe, and cruelty-free.

The New Urbanism

The rising public-transit movement will die, and preference for the private automobile will be the only thing that makes sense. Suburbs and gated developments will make a comeback as idealic living bubbles, and cities and downtowns will lose both funding and investment, relegating them as dirty, dangerous, and derelict. A new wave of “white flight” will result in a kind of reverse-gentrification, making city centers affordable to struggling classes again. The discernible diversity of city centers combined with the lethal threat cities harbor as viral cesspools will rekindle false notions in the minds of Whites regarding race and disease; and in turn an acute revival of white supremacy in the mainstream.

The New Globalism

One person's actions on one side of the planet can effect everything and everyone on the rest of the planet. From public health to politics to entire economies. The outbreak of COVID-19 has been made this more clear than ever. As such a new kind of Globalism will take root wherein the world must function as a global village, with laws, regulations, and the systems by which our lives operate being designed with the entire globe in mind. Paradoxically, human interaction is now potentially lethal, so households and human relations more generally will be forced to become increasingly atomized and super-local.

The New Cultural Divide

During the Plague, Europeans blamed the “miasma” carried forth by winds coming in from the East and South (Ottoman lands basically). When an 18th century American missionary stationed in Egypt witnessed Cairo's 1781 plague, he concluded that it was brought in by a Jewish merchant and two black female slaves. The spread of disease on a wide scale has always brought about the racist leanings already harbored by human beings. With the outbreak of Coronavirus and one marketplace in China being pointed to as the source, we can expect the emergence (or reemergence rather) of a great cultural divide between the greater East and overall West. Everything “Eastern” (because racism isn't logical) will be seen by a greater number of Westerners as wholly inferior, the once growing interest in Eastern cuisine, books, and cinema will come to a sudden halt (while paradoxically picking up other traits out of necessity; the Japanese bow, bamboo-made disposables, and an obsession with robots for example).

The New Frontier

More interest and funding will be put towards finding and developing a new human habitat away from Earth, be it on Mars or elsewhere; a “Plan(et) B” where the human race (or a particular segment of the human race rather) may live and prosper far from the hundreds of thousands of viruses on Earth threatening to kill us at any moment.

Some say human evolution is cyclical rather than linear. After all, the glory of the Roman empire was followed by the European dark ages. By the time Europeans made it to the Americas, entire Mayan cities had already been abandoned for centuries.

I wonder if human evolution is a combination of both cyclical and linear trajectories though. Given that our very planet revolves around its own access, as well as around the sun which itself moves in an eclipse within the milky way, which itself speeds through the universe... why should human existence be any different?

#Journal #Covid19 #Future

Well well well, would you look what I just found in my story journal?!

It may be time to revisit this very loose idea and flesh it out into a jolly little short.

#journal #work #story

One lousy virus and eveeeerything collapses. Everything. Not a single thing is capable of functioning as it used to. And if that's not a clear sign that the hyper capitalist systems upon which our entire existence hinged on were just rotten from the get go, I'm not sure what is.

I know a lot of people just want to “wait this thing out” and hope that we can just resume life exactly the way it was before, but personally... I really don't. I hope we learn a little something from this and start doing things a little differently from here on out.

But who am I kidding?

As I type this, even my goddamn internet service is failing (I turned my phone into a hotspot though).

(Not my internet alone apparently. Customer service rep told me there seems to be a problem in my entire neighborhood that they're not entirely sure how to fix. Actually.)

I mean, I can do self-quarantine for as long as need be without going stir crazy just fine. But that, dear reader, is with an internet connection. Without one? There goes my television, my music, my RSS feeds...

Which is fiiiine. I do have a bunch of books that need reading.

And I have much drawing to do.

I'll just... I'll just do those things.

And I do have records to listen to. Like five of them. I can.. I can work with that. 🙃

#journal