I am a terrible multitasker. I thought I'd be able to alternate between writing and taking podcast notes, but when I'm in the writing zone (indeed in any zone), I find it very difficult to pull away and do something else. Even if I designate the something else towards the tail-end of the day.

So today I will attempt to power through 6 episodes, half the season we recorded. Now, each episode is quite long; an hour or more in some cases, which means more video-watching than I can handle. Basic logic would dictate spreading the episode-watching and notetaking across several days to ease the blow of the task at hand, but that would necessitate employing the kind of mental gearshift that I sorely lack.

Why am I like this?

#journal #work #podcast

One of my pet peeves of living in America was how fresh herbs were treated like gold. You'd get less than an ounce of the stuff squished into a palm-sized plastic container for 2 bucks or more. Egypt has the opposite problem. Fresh herbs are in great abundance, and they're always sold in big bunches that go bad faster than you can put to use. So today, we are oven-drying rosemary for the first time. 4-6 hours apparently on the lowest setting for best results.

Writing is going oh so swell today.

“Conan in a trenchcoat.” – May just be the best line in this Frank Miller/Rick Rubin interview.

#journal #work #radar

Eyeing my reading corner aspirationally until Ikea get their shit together and restock the chair's cushioning, which they only informed me was out of stock the day of delivery. A full week after I'd originally ordered it.

Haven't even had a chance to put this part of the space to any use and Tiger has already mauled one end of the rug to shreds. Comes with the territory of being chosen by a cat, I guess. And I really do need to have that tinted glass replaced. Fall is here and the sun has already shifted to where it seldom enters the space.

Given the above situation, not much reading has been getting done (I'm not great at reading in bed), but I did manage to write 11,451 words in September. Looking to churn out much more through October. Very little drawing this month. Hopefully I'm not too rusty by the time I do return to the drawing board.

STATUS:

#work #journal #studio

The complete THE SOLAR GRID box-set can now be nabbed through Asterism.

October is already here, which I'm gonna need to dedicate almost entirely to wrapping up TIMES NEW HUMAN if I can. Quite a bit of work travel slated for November, which knowing me will disrupt any semblance of flow.

Got the strangest email the other day inviting me to be interviewed about THE SOLAR GRID for a podcast... in exchange for a fee. Didn't even realize that was a thing now.

RADAR: Great Kim Stanley Robinson interview over at the Crisis and Critique Youtube channel.

Watched SOYLENT GREEN the other night for the first time! What a great goddamn movie! Can't believe it passed me by. It must be Ganzeer-discovers-the-70s season over here.

STATUS:

#work #journal #radar

Freshly-minted short story shipped off to Jared Shurin for his forthcoming edited issue of ParSec. The brief he sent me, a single image, was impossible to resist:

More TIMES NEW HUMAN rewrites this morning, reserving the backend of the day for email and podcast notes.

Inbox: 17, RSS: 5.

#journal #work

Front cover preview until I get glamor shots of the actual box in all its glory.

#work #tsg #comix

Bootlegged THE SOLAR GRID!

Imre Szeman, author of FUTURES OF THE SUN and one of the scholars on our THE SOLAR GRID panel at Petrocultures 2026 in Dresden, printed out the digital edition so he can read it that way in preparation for his presentation/commentary (which was so smart and immensely insightful). He made sure to have the pages printed on both sides, so his experience of the work would be the closest approximation to the intended format. And my, it's a big-ass motherfucker of a book, innit?

This is how I did much of my comics/graphic-novel reading in my late teens and early twenties, when my preferred comics-material was all too hard to come by in hardcopy formats in Cairo of the late-90s/early-2000s. So I have a strange affinity for that spiral-bound bootlegged home-printer aesthetic.

The panel was awesome! Super insightful (and embarrassingly humbling) presentations, great Q&A, and many exciting conversations thereafter. Several professors mentioned their plans to include THE SOLAR GRID in their teaching syllabi.

The air is refreshingly crisp in Dresden this time of year. Nothing quite like a midnight smoke out on the balcony in nothing but your underwear and a good German pilsner in hand.

#journal #work #tsg

Ampersound creates audiovisual non-fiction stories with a particular emphasis on the power of sound. Founded by George Lavender, the company develops all of its material by collaborating with actual human creatives, a quality that became central to the company's graphic identity, which I had the pleasure of designing.

Kamilia is a boutique perfume and jewelry brand named in honor of the client’s mother. From its inception, the design process sought to establish a visual identity that would convey the brand’s deeply personal origins while communicating the refined craftsmanship behind its products.

And here's a little tease of my collab with Dominic Boyer for Elon Mag:

It would seem that being exposed to all those dumb toy ads in comicbooks all my life would eventually come in handy after all.

“He who does not read, at 70 years will have lived only one life, his own! He who reads, will have lived 5000 years: He was there when Cain killed Abel, when Renzo married Lucia, when Leopardi admired infinity... Because 'Reading is backward immortality.'” – Umberto Eco

#work #design #quote

Tomorrow I prepare my Dresden presentation and take care of some admin.

Season 1 and 2 of SILO were good. Season 3 is frustratingly dumb because the main character now has amnesia and we follow her unravel the shocking mystery of what happened to her over the last two seasons, which we, as viewers, already know.

34°C and sauna-level humid and the lack of AC in the studio is proving to be lethal despite all attempts at overt nudity.

Inbox 464, RSS 0.

#journal #work

Sent off the new REVISED & EXPANDED edition of THE SOLAR GRID to everyone who downloaded the previous version. A rather embarrassing message to have to send, but at least it's something that could be salvaged, unlike the shipping of flawed physical copies (so it's actually a plus I never took it to print earlier in the year).

Some of the most major revisions made (spoilers abound, naturally):

Chapter 01:

The Tianzi Hotel is a real place in a province 50 km southeast of Beijing. I originally chose it because I wanted something to visually indicate China without needing to include a big “China” caption at the top, and I had originally referenced it and its surrounding buildings from a photograph. Its surrounding buildings however offer a quaint and rather dated impression of China, which doesn't quite measure up to the “rivalry” felt by the US and referenced earlier in the chapter, all of which takes place in the future. So it occurred to me that all the architecture surrounding the Tianzi Hotel needed to be projected into the far future. The new line-art turned out a little thicker than I would've liked, but I think it works well enough.

Chapter 02:

When I first drew this page early on in THE SOLAR GRID's development, I left the background in the first panel blank because I had intended to put in a big “EARLIER” caption in big, bold sans serif type (probably set in Govan, just like the chapter titles), which I didn't want to clash with an overly detailed background. This might've been the SCOTT PILGRIM influence at work, which is amusingly full of such captions. It works really well for the tone of SCOTT PILGRIM, but I ultimately decided it wouldn't be right for THE SOLAR GRID. Yet, I never went back in to fill that background, and its bugged me ever since. Once I got that background in there, I had to change the background in the second panel to match. There's a bit of a style disconnect—to be expected when adding something to a drawing you originally made over 10 years ago—but it isn't too glaring and I think it works much better than the original version.

Chapter 03:

Always wanted to include a post-flood Egypt travel ad in the backmatter portion of chapter 3, but got too preoccupied with wanting to finish the actual comics of the book to get around to it way back when.

Chapter 04:

I was never satisfied with how tightly cropped the face in the second panel turned out (bottom left). Strikes me as just a tad confusing who the eyes belong to. So for the revised edition, I took a crop from a panel on a different page entirely and blew it up. Not a strategy I like to employ often, but applying it here improves the storytelling immensely.

The original bit of dialogue on the left adds nothing of genuine value. The revised dialogue on the right tells us something about the belief system prevalent in Wastecountry in regard to the titular Solar Grid. Which helps make certain scenes later in the book far less confusing.

Added to backmatter to further make clear that “the oasis” where the bunnylynx was found actually sits within Kovsky's lair.

Chapter 05:

Added a scannable QR code in the backmatter, which takes the reader to the actual THE SOLAR GRID SOUNDSCAPE tracks created by N Slash A.

Chapter 06:

In the original version, I had the “camera” swivel from the side of the character's face to the front in 3 consecutive panels. Ultimately, that motion doesn't quite translate very well in comix, and keeping the frames fixed on her profile works much, much better.

Chapter 07:

Added smaller versions of the text behind the panels in an effort to improve legibility and better make clear what is going on.

Earlier in the book, when not plugged into Hively, we have Mickie Stardust's train of thought fill the page behind the panels, something that gets completely obliterated once plugged in; he can no longer hear himself think. For Pierce Arcadia, I'd originally opted to not fill the entire page because he's intoxicated here and thus I figured his mind would largely be blank. This I think doesn't quite come across as intended, and the blankness of the page becomes a little odd after what we'd established with the Mickie Stardust sequences. In keeping with consistency, I opted to fill the page with a relevant train-of-thought for the new “revised & expanded” edition.

The original face in the 4th panel (top right) hadn't quite turned out as celestial as I would've liked (at all actually!). Messed with it, and made the dialogue stronger/more relevant.

Chapter 08:

Originally, the chapter title was overlayed on the art, making the text far less legible than I liked. I prefer it with the crop a lot more.

The revised dialogue (bottom right) ties better with something already established in the Galactic Geographic interview which appears a few pages earlier.

Even after using image-enhancing software, the excerpt from the 1812 edition of The Examiner is just awfully lo-res to be legible. Thus I decided to include 2 pages instead of 5, and fill the remaining 3 with an excerpt from Frederick Engels' The Conditions of the Working Class in England in 1844. Which was written long after the 1812 Luddite revolts, but there's enough of a thematic correlation to include it. And it beats relying entirely on a bunch of newspaper pages that are kind of impossible to read.

Chapter 9:

Opted for a less headliney title for the second appearance of Holly Badchapel's column.

Chapter 10:

The original dialogue exchange (top) actually says very little. The revised version (bottom) becomes shockingly revelatory to young Mehret, and better ties to a couple of other scenes earlier in the book.

Such a delicate and pivotal scene that became clunky primarily due to the largely nonsensical dialogue (much of which is actually too small for comfortable legibility). The revised version below really makes the scene count (also, the tongue's color in the top right panel needed a little pop).

Revised dialogue (bottom) better ties to the collage sequence that came before.

The Tsiolkovsky-1's launch into space didn't feel dramatic enough, so I added a double-page spread.

The Solar Grid's destruction—ostensibly the most important moment in the entire book—was way too abrupt. A couple extra pages help take the scene to a far more heightened level.

Again, revised dialogue (bottom) helps tie the scene to the pivotal collage scene that came before.

The joke towards the end didn't quite land very well the way I had originally depicted it. A couple extra pages allow the scene to breathe and make it work.

And finally, the very last closing page needed considerable reworking, but I'll refrain from showing that one here :–)

Sadly, none of the above revisions will be reflected in the serialized edition(s) from Radix Co-op or the boxset that collects them. But at least they get exclusive covers that don't appear in the “revised & expanded” edition.

Despite a considerably positive critical reception of THE SOLAR GRID to date, landing a publishing deal for the collected edition has thus far proven to be surprisingly challenging for some reason or another.

#comix #tsg #work