G A N Z E E R . T O D A Y

A 90-page publication, 3 times a year is still a little too ambitious, I think. Unless the rate of release is significantly slower than the rate of production, one is prone to screwing themself over.

Paradoxically, the rate of release can't be too slow for a reader's ability to maintain interest (a trap I fell into with THE SOLAR GRID, which very quickly went from bi-monthly to embarrassingly irregular).

I'm also interested in a publication that can include many or most of my other interests and not just comix.

I think one page of comix a week is a reasonable release rate. I mean, there're a couple instances when I've done 8 pages in a single day, but if you count on that as a regular rate of production, you risk terrible burnout.

I think one of the mistakes I made going into THE SOLAR GRID was not having a fixed page-limit per chapter while assuming I could maintain a fixed release schedule. That just doesn't make the slightest bit of sense. Add to that that financially speaking it was hardly bringing in basic rent expenses. Which meant there was no way I couldn't take on additional work to survive. An obvious recipe for disaster.

Back to sustainable formats though:

So, one page a week is a totally reasonable goal I think. Especially if you're writing, drawing, inking, lettering and doing all the things. If there is the occasional week where you crank out more pages? Well great, you're ahead of schedule.

Which means a monthly release of 4 lousy pages. Not a lot.

Obviously not worth printing, so we're talking digital releases here. A reasonable price point in my mind you can charge anyone for a PDF is $1, because it has to be competitive with what you can get in print. Of course new print comicbooks can get pricey, up to $4, but there's always the $1 bin full of old, unorganized comicbooks. Perhaps not fair to put those in the same category as new comix, but y'know what? It's still a print publication containing 20ish pages of comix. If as a digital publication (containing a much lower page count no less) you can't compete with that... then it doesn't seem like a very lucrative product to me.

Now, a 4-page PDF for $1 still comes off as overpriced to me. And therein comes the other things I can produce that aren't comix. A short 1000-wordish prose story per month is very doable. Laying that out in a PDF, along with an illustration, will probably take up around 4ish pages. Probably enough time in the month to fit in a short essay, say 2 pages worth. Add cover art and whatnot and that's pretty much all that ought to be [reasonably] done within a single month.

10 pages + Cover art, comprised of: – 4 pages of comix – 4 pages of prose fiction – 2 pages of essay

For $1.

Now, unless you have a sustained readership of at least three to four thousand, you're screwed because chances are you won't have a whole lot of time in the month for side gigs.

On the upside though, it would result in a sustained output of a 120-page annual publication—which isn't too too bad, is it?

#ComixEngine

Wife walked in and saw this on my desk and her face was overtaken by horror. IT'S FOR MY COMIX, I shouted, I'M NOT CRAZY!

In the end, I'm opting to go with the smaller, typed out text.

Started painting future child's room yesterday, and tidied up a bit around the office, but also made the time to read a little bit. It was good to step away from the drawing table. But with that comes a different perspective and thoughts on “the bigger picture.”

Friends in New York are either foraging for edible greens in what little shrubbery the city exhibits or—for those who could afford it—have fled out to the countryside.

Things aren't nearly as bad in Houston, but the situation is still dire as it is globally, and as I paint future child's room I find myself thinking about the future in ways I never have before.

#journal

I lied; I couldn't let it go. Cut out the two figures that were bothering me the most and I think the page is now much better. Will probably redraw them and paste directly onto the original pages (because I hate having sub-par originals).

Tried the thing I wanted to do with the gutters and I think it works (Although, what is included right now is just some preliminary text for a quick mockup, just to get a sense of the look of the thing). You get a real train-of-thought vibe, like this character's mind is really at work and he just can't shut it off.

My initial idea was to have it all handwritten instead of typed, like such:

Looking at both of them now though, I can't quite decide which one I like better.

#Work #TheSolarGrid #MakingComix

Not the best to be honest, but it's one page in a 400+ page book, so I may have to learn to live with it.

There's an exhausting idea I'd like to try out with the gutters, but that may have to wait till Monday. A bunch of house-maintenance stuff to do this weekend.

#Work #TheSolarGrid #MakingComix

Coffee is shaken, not stirred. That's what creates the foamy top, together with a tablespoon of coconut oil and a dash of goat's milk (I used to take my coffee extra sweet for years, but I've been off sugar for two months now and the coconut oil—although nowhere nearly as sweet as sugar—cuts through the bitterness some).

It's time to ink today. For which I'll be using a series 795 Round Loew-Cornell #2 brush for the first time (I usually use Trekell's Kolinsky Sable Round 7000 series in a size #3 for brush work, Zebra's G nib for, uh, nib work, and Staedtler pigment liners—mostly 0.3 and 0.1—for straightforward “cleanline” styles).

(Which should not be confused with the European “Ligne Claire” approach, which still offers a degree of line-weight variation. That's what the Loew-Cornell is for, it's what Chris Ware uses. The Kolinsky #3 is what Eisner used, and offers thicker strokes. G Nibs are used by Naoki Urasawa (I think?), and pigment liners are used by Mignola.)

Excited to see what the Loew-Cornell will do.

#Work #Journal #TheSolarGrid #MakingComix

My good friends at the Boulder Weekly have decided to publish my demented vision of the future and use my art on their cover this week.

Still working on that cursed “isometric” page in THE SOLAR GRID. It's coming along rather well (albeit a little slower than a “standard” comix pages).

Elsewhere in the back of my mind, I'm thinking of the weird surrealist art that used to adorn many science fiction paperbacks of the 60's and 70's, and that maybe, just maaaaaybe... I might like to do something along those lines for THE SOLAR GRID once complete and collected.

#journal #work #TheSolarGrid #makingcomix

Not a good day for migraines, not when I'm drawing something that requires a high degree of precision.

This kind of isometric perspective that is typical in the work of Chris Ware doesn't come naturally to me, mainly because... well, I hate rulers. Not as much as, say, Paul Pope (who draws buildings and stairwells and cars with the same organic brush-strokey energy seen in his figures), but still; this kind of approach is all rulers.

To be fair, a facet of all my work is probably the tension between “accuracy” and its complete opposite.

Good things can come out of migraines btw. There's this page in Chapter 1 that I distinctly recall being hit with a migraine attack the day I was working on it.

In fact, that particular page wasn't even planned at all. I only included it because of the attack. And it's probably the only bit in the entire chapter infused with a degree of humor. ¯_(ツ)_/¯

I was living in LA at the time, which, shit already feels like a lifetime ago.

#Journal #work #MakingComix #TheSolarGrid

Lunch today is tuna salad after which I may need my third cup of coffee (which is a lot for me).

I did not get around to inking yesterday, and today I felt like I'd rather get some more pencils in, so set myself up for two not entirely easy pages. For this segment of the book I'm channeling a combination of Chris Ware, J.H.Williams III, James Harvey, and Steve Ditko.

It may sound like an odd combination, but trust me, there's an area of comix storytelling in which they all overlap. The switch in art styles always requires some serious recalibration from me but I enjoy getting to experiment.

Several things to do today though that are likely to slow me down; Gotta Skype in (or Zoom in rather) to an art history class [I was asked to “speak at”] in like half an hour. After that I'd like to get in a quick exercise because I've been putting it off for a several days already.

Started Asimov's FOUNDATION trilogy last night (which I've blasphemously never read), and skimmed a few of Image Comics' first issues, of which I thoroughly enjoyed Daniel Warren Johnson's MURDER FALCON and THE NEW WORLD by Ales Kot and Tradd Moore. Fantastic stuff!

Inbox is at 15 today , which may prompt me to unsubscribe from a number of newsletters.

#journal

Yes, I finally introduce the aliens.

Not sure anyone reading THE SOLAR GRID was expecting aliens.

It is 9:43 am in Houston and I've been up for at least 6 hours. Two-three of which I spent trying and failing to fall back asleep. My mind is awake, but my bodily functions are very much dead. Today will be a sluggish day at the drawing table.

Still, I am foolishly determined to finish a full page of comix today, inking and all.

The air is pleasantly cool and the blue jays populating the palm trees outside do not sound as pretty as they look.

The spread above is from my sketchbook where I've revisited the design of the alien(s) I'm about to introduce in the actual comix pages. If you look very closely at the page on the right hand side, you can probably make out some of the alphabet I devised for their language.

Don't really have the headspace to figure out how to develop it into a font, so will have to hand letter that shit.

Lovely.

#journal #work #MakingComix #TheSolarGrid

Quick housekeeping update:

Newsletter went out late last night, and my inbox is down to 34. I should manage to bring it down to zero by tomorrow. Ganzeer.com has been updated with the handful of things I unleashed in 2020.

I also removed all the widgets I had on the front page for Twitter, Instagram, and this here blog because the way they were embedding wasn't ideal and I wasted too many hours trying to make it better. Figured I can settle for just links without agonizing too much about it.

Cleaned around the garage a bit too. The coming week should be good.

#journal #work

Enter your email to subscribe to updates.