I'm sure I will regret this 11:00pm coffee, but I need to push to get this chapter in the can.
It's true what they say, the last 10% of any project is always the hardest. No idea who “they” are, but I'm pretty sure it's a thing.
Inking with a Q-tip to get them fat cap feels. Always a challenge to recreate the look of one medium using another, but I think it turned out alright.
Promised myself I wouldn't travel until the entire TSG is in the can, but this chapter has genuinely sapped the lifeforce out of me and I think a recharge is very much in order. Considering fucking off for a few days as soon as its wrapped. Either Mexico City or NYC, can't decide. Mexico City is closer, more my vibe, and kinder on the wallet. I do know more people in New York though, some of whom I haven't seen in a couple years.
Another day of surviving on a mere three hours sleep after awaking at 3:00am for no good reason. Orders dropped off at post office though, and a quick visit to the lab for bloodwork checked off (I'm rather particular about my health and try to get tested fairly regularly). These are now the very last remaining copies of THE SOLAR GRID #1 in existence:
Cover for the print edition of #9 underway today.
Early on in my work on THE SOLAR GRID, I used to pencil pretty tight, with the inking process constituting little more than tracing. Now, I pencil very loosely.
And then work in much of the drawing directly in ink:
Also, this panel right here:
I definitely wouldn't have had the confidence to put that in there early on. I've always loved Godard's rear-view driving sequence in BREATHLESS though. How I'd love to several pages of that sort of thing in comix.