No context THE SOLAR GRID.
No context THE SOLAR GRID.
Work-in-progress from the final THE SOLAR GRID.
It is hard to believe that this chapter may very well be the last time I draw her for a very long time if not forever.
My plan for the day turned out to be a little too ambitious after all, but TSG pages are coming along smoothly.
Today's background listening included:
Bret Easton Ellis interviews Paul Schrader โ Really great. I particularly love the few Pauline Kael anecdotes Schrader shares. Kael is grossly overrated in my opinion, and I say this having enjoyed a number of her books. She did good to bring actual critical criticism to the field, but neither her taste nor how she expressed it really jive with me.
TRACKMARKS by Hamed Sinno โ Sinno, who is one of the most talented and creative people I know, was on a train in London when it got held up because a man on the tracks in what was apparently a suicide attempt. Folks on the train started to get irritated, and that irritation soon ballooned into rage, directed squarely at the distressed man who messed up their schedules. Hamed was wise enough to record this vocalized rage and weave it into a powerful song together with lyrics drawn entirely from advertising slogans seen on the London Underground. ๐
I'm doing something a little different with the final chapter of THE SOLAR GRID in that I'm adopting something of an assembly line approach to working it, despite my being the only person actually working on it (This is potentially somewhat ironic given the Luddite segments featured in the previous two).
I've basically divided the chapter into three chunks of 12 pages, tackling one chunk at a time. I've done all the panel layouts for the first chunk, now onto filling them with actual characters and scenes, first in pencils, then in inks.
What this means is that each chunk, or pile rather, gets three passes before moving on to the next: first pass for laying out panels (based entirely on the thumbnails), second pass for doing the actual drawings in pencil, third pass for inking everything up. Dividing the work up this way makes it seem more manageable somehow, less daunting.
I quite like looking at the pages at this stage, with just the empty panels laid out. Pages stripped to the musicality of their compositions.
I'm sure I will regret this 11:00pm coffee, but I need to push to get this chapter in the can.
It's true what they say, the last 10% of any project is always the hardest. No idea who โtheyโ are, but I'm pretty sure it's a thing.
Inking with a Q-tip to get them fat cap feels. Always a challenge to recreate the look of one medium using another, but I think it turned out alright.
Apparently, there are websites you can't access from Texas anymore.
I remember how the use of VPNs became quite wise in Egypt towards the tail end of the half-revolution, certainly becoming a thing amongst more tech-saavy folk. Never would I have expected it to become a necessity after settling in America, but here we are.
The downfall of western civilization aside, work on TSG coming along today. Detailed fucker of a page though.
Very flattering and humbling in depth review of THE SOLAR GRID by Carson Grubaugh over at Living the Line on Youtube.
Just had my first โfuck, what was I thinking?โ moment.
In preparation for drafting the last two chapters in THE SOLAR GRID, I've been re-reading all THE SOLAR GRIDs I've put out to date in an effort to find all the authorly breadcrumbs we tend to leave ourselves. Breadcrumbs that often come in handy when bringing the whole yarn to a close. But as early as chapter 2, I found that I may have done the unspeakable. It's really fucking bad. There is a point to it, but that point doesn't quite transpire till several chapters later, which is way too much to ask of a reader. It's the sort of thing that upon sight makes you want to toss the book at the nearest wall. As early as chapter 2 for crying out loud!
Only now, 8 years later, am I able to envision a far more graceful way of pulling it off, which I may just have to adjust for the collected edition. Shit.
I'm rather surprised no one has called me out on it yet. It's really fucking bad. Fml.
And then there are typos littered throughout the series. So many terrible typos. So many printed copies including said typos as well as my horrible Ch. 2 mishap. This will drive me mad, at least until the amended collected edition.