Early on in my work on THE SOLAR GRID, I used to pencil pretty tight, with the inking process constituting little more than tracing. Now, I pencil very loosely.
And then work in much of the drawing directly in ink:
Also, this panel right here:
I definitely wouldn't have had the confidence to put that in there early on. I've always loved Godard's rear-view driving sequence in BREATHLESS though. How I'd love to several pages of that sort of thing in comix.
#work #comix #TSG
Almost can't believe I'm this close to the finish line. But then again, it's only been 9 years.
Unwise to get distracted by the big picture at this stage though. Moving along, methodically, one page at a time is all that needs to be done right now.
#work #comix #TSG
Mad graffiti in the ghetto of Orson Wells on Mars.
For all the scenes on Mars in TSG, I've been inking with a brush as a sort of rule, but I may just have to make an exception for all that graffiti.
#work #tsg #comix
Little dude's mouth needed a do-over, was a little to agape. The more subtle the expression, the harder it is to pull off. It's why the Mona Lisa's such a big deal.
#Work #comix #TSG
Sometimes you just gotta bust out that glue stick.
Nothing about how I approach comix is conventional, and it's going to get weirder and weirder.
Inboxes zero. Glorious day.
#work #comix #TSG
The latest THE SOLAR GRID installment is now available in print.
Only two more bad boys to go and I will be done forever.
#work #comix #tsg